焦段更全能且終於加入觸控螢幕的極限口袋機, Sony RX100 VI 動手玩

2018.07.20 07:19PM
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Sony 的 RX100 系列,可說是開啟隨身相機業界 1 吋元件趨勢的始祖,打破過往口袋機種最大 1/1.7 吋元件的局面,讓隨身相機邁入 1 吋元件的同時又仍能放入口袋,同時也在現在手機拍照越來越強大的情況下,還能維持輕盈的體積,在結構工程可說是相當極限的機種。

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如今 RX100 已經進入第六世代,而全新的 RX100 VI 也重新調整了光學設計,採用更全能的焦段配置,在使用的特色也較前五世代不同,同時也加消費者期待已久的觸控設計,可說為 RX100 系列開啟了全新的局面,不過在導入這些新特性, RX100 VI 也較先前機種在使用體驗有所不同。

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當初看到第一代的 RX100 ,就對其緊湊的設計感到驚訝,能夠在可放在襯衫口袋的大小,卻使用 1 吋感光元件與等效 28-100mm 的鏡頭,而後 Sony 工程師也宛若走火般的在相同大小的體積加入翻轉螢幕、內建電子觀景窗,並自第三代焦段達到傳統標準鏡常用的 24-70mm ,如今邁入 VI 第六世代,機身尺寸其實有不明顯的變化,但口袋機仍是口袋機。

外觀乍看不變的全新進化

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這次尺寸的改變主要是因為光學設計大幅變化,以至於不得不微調機身厚度因應變化,但同時也帶來更方便的電子觀景窗使用體驗;原本 RX100 系列的電子觀景窗在考慮光學結構設計,在彈出後需要手動拉出滑軌,不過 RX100 VI 則由於機身結構調整,電子觀景窗在彈出後,滑軌也會自動彈到正確視距,不須再手動拉出,同時只要往下一按即可收納。

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同時此次 RX100 VI 也帶來愛好者期待已久的觸控螢幕,同時介面設計也變得像 A6500 、 A9 一樣,推測整套系統管理介面應該是從 A9 的下放,不過也因此不再支援 PlayMemories Camera Apps功能;加入觸控設計對筆者的使用體驗則是有好有壞,好的地方是可以透過點擊螢幕選擇焦點,但也由於 RX100 機身相當緊湊,也常誤觸導致焦點位置跑掉。

等同 24-70mm 加上 70-200mm 的更全面焦段

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這次 RX100 VI 最重要的變化,莫過於全新設計的鏡頭群,此次在體積略增的情況下,搭載 Vario-Sonnar T * 24-200mm F2.8-4.5 鏡頭,對比先前的鏡頭,廣角最大光圈雖然受到影響,不過望遠焦段一口氣達到等同 24-70mm + 70-200mm 兩鏡頭合一,其實也與 aps-c 的 18-135mm 焦段、全片幅的 28-200mm 鏡頭意義類似,都是典型的旅遊焦段。

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鏡頭設計的變化,也讓 RX100 VI 與前五世代出現較明顯的定位變化,單純以光圈與焦段來說,熱愛原本廣角大光圈特性的消費者不一定會喜歡 RX100 VI ,但偏好能囊括從廣角到望遠集於小巧口袋機身的玩家,由原本 70mm 延伸到 200mm 勢必是更為實用,也較當初 RX100 II 與 RX100 III 的鏡頭調整更明顯。

關機速度較慢不利快拍快收

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雖然感光元件較 RX100 V 變化不大,不過在新焦段設定與引擎加持下,確實在拍攝的彈性與照片的細節、高 ISO 等有些變化,而在 200mm 端還能保有 F4.5 的光圈,在昏暗情況拍攝仍能勉強拍出成功的照片,當然若是真的環境光源較差,還是建議以中焦段較易成功。

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由於焦段較長,對筆者的使用習慣卻不見得是全然正面,首先筆者原本就是偏好 24mm 、 28mm 廣角定焦拍攝或是 35mm 定焦拍攝的使用者,其次也較習慣以隨拍隨收的方式使用隨身機,然而 RX100 VI 的鏡頭群在開關機的作動行程較長,加上 Sony 在拍攝後的後處理會消耗些許時間,隨開隨拍或許還勉強達到筆者習慣需求,但要拍完關機收納的速度就顯得較慢。

依舊是口袋尺寸的王者

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當然,這是由於筆者拍照與使用相機習慣所會遇到的狀況,不過對於追求小巧好攜帶、一機能適用於多數拍照情境的消費者, RX100 VI 在畫質、體積與焦段的折衷可說是一時之選,當前也找不太到第二款同時擁有 1 吋元件搭載類似焦段與體積以及性能的機種,能夠超越 RX100 的果然還是只有 RX100 。

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至於 RX100 V 、 RX100 VI 該如何抉擇, RX100 V 在於廣角端擁有較大的 f1.8 光圈,雖然望遠僅到 70mm ,不過以多數拍攝情境也還算夠用,至於 RX100 VI 則廣角端光圈雖較小,但有更全面的焦段,以及方便的觸控螢幕與不需手動調整的電子觀景窗,相信對已經養成拍照焦段使用習慣的消費者應該不會太難選出合適的世代。

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